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An exhibition of Damien Hirst's private collection shows just how infuriating and inspirational he is, says Richard Dorment
When someone once asked Andy Warhol why he had papered a large gallery at the Whitney Museum with garishly coloured wallpaper patterned with the head of a cow, he replied that he wanted New Yorkers to be able to stand at the entrance to the show, look into the gallery, and be able to say truthfully that they'd seen the Warhol exhibition. The same could (almost) be said about the Serpentine's show of Damien Hirst's private collection
This entry was posted on Tuesday, November 28th, 2006 at 10:16 am and is filed under Art, Art Events. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
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