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Archive for June, 2008

MONTAGUE + DEL PASO/STAROSTA@George Polke

Posted on: Thursday, June 19th, 2008

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George Polke presents;

barbeque and drinks this Thursday evening to celebrate the final installment of TWO for the summer

MONTAGUE + DEL PASO/STAROSTA OPENS: THURSDAY 19 JUNE 6-9PM  SALON: SUNDAY 20 JULY 3PM

DATES: 20.06- 06.07.08 and by appointment throughout July and August

Projected drawings by Sibyl Montague and a film directed by Martyna Starosta and Joaquin Del Paso.

SIBYL MONTAGUE graduated from the Limerick school of Art in 2003. Since then she has
exhibited widely both in Ireland and abroad, at Eigse Carlow curated by Patrick T. Murphy (2008)
and Fenton Gallery (2007). She was awarded the emerging artist prize at the Claremorris Open
2007 (selected by Ingrid Swenson) and is a member of artists group Villa K involved in projects
with Cork Caucus, for the Capital of Culture 2005. Her work is in the collection of The Museum of
Old & New Art (MONA) Tasmania.

JOAQUÍN DEL PASO studies cinematography at Lódz film school, Poland, and is producing his
first fictional short movie with Lucy Pawlak. MARTYNA STAROSTA is co-organizer of Interflugs at
the University of Arts Berlin. She is currently making a documentary about working and living in
an East German prison.

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The 16th Biennale of Sydney celebrating 35 years of showcasing contemporary art with the exhibition Revolutions – Forms That Turn.

Posted on: Thursday, June 19th, 2008

From June to September the city’s leading museums – the Museum of Contemporary Art and the Art Gallery of New South Wales, as well as Artspace and spectacular outdoor sites such as the old industrial Pier 2/3, the Royal Botanical Gardens and the stunning Cockatoo Island in Sydney Harbour will host more than 180 artists, with over 50 new projects being realised. A unique online venue has also been developed. http://www.bos2008.com/revolutionsonline

The impulse to revolt. Revolving, rotating, mirroring, repeating, reversing, turning upside down or inside out, changing perspectives. Through installations, performances, films, texts, an evolving online venue, conversations and other events, Revolutions – Forms That Turn articulates the agency embedded in forms that express our desire for change. Such literal and formal devices are charted for their broader aesthetic, psychological, radical and social perspectives. This Biennale is a constellation of historical and contemporary works of art that celebrates and explores these dynamics, both in art and life. It includes some of the twentieth century’s most revolutionary artists from Kasimir Malevich, Aleksandr Rodchenko, Luigi Russolo, Marcel Duchamp and Tina Modotti to Jean Tinguely, Gianni Colombo, Atsuko Tanaka, Joseph Beuys, David Medalla, León Ferrari, Jannis Kounellis, Mario and Marisa Merz, Bruce Nauman and
Hélio Oiticica.

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Susan Hefuna Knowledge is Sweeter than Honey

Posted on: Thursday, June 19th, 2008

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Susan Hefuna
Knowledge is Sweeter than Honey
19 June - 1 August 2008

Albion New York is pleased to announce its inaugural exhibition, Knowledge is Sweeter than Honey, a show of recent works by Egyptian-German artist Susan Hefuna. The exhibition marks Hefuna's first solo show in the United States and will present a selection of her mashrabiya screens, drawings, photographs and
installation works.

For Hefuna, every work's meaning is fluid, changing to accommodate the vantage point of each new viewer. By studying how audiences in Egypt and Germany responded to her early works, she learned "that there is not one truth, but layers of interpretations or perceptions.” Since then, Hefuna has continued to make viewers aware of the cultural codes that govern their interpretive processes, and encouraged them to look beneath the surfaces of their preconceptions.

In her photographic work, Hefuna creates images that probe the audiences' assumptions about time and place. Made with a pinhole camera, these dusty, soft- focused and somewhat skewed cityscapes seem impenetrably foreign and vaguely exotic to most Western eyes. Audiences in Cairo, however, can instantly dismiss the distortions caused by the camera's antiquated technology and recognize their own unmistakably modern city.

Hefuna's drawings are hand-rendered on several sheets of tracing paper, which opens up the multi-layered works to many different interpretations– from Modernist grids to latticed windows to sleek skyscrapers.

Her three-dimensional mashrabiya screens and vitrine installations play on the notion of what is hidden and what is seen. Mashrabiyas have long been used in Arabic architecture to allow a building's inhabitants to look out without being seen, to simultaneously reveal and conceal. As Hans Ulrich Obrist stated, Hefuna adds a dual meaning to her mashrabiyas by presenting them as both "autonomous sculptures" and
"architectural ornaments.”

In Vitrines of Afaf, Hefuna presents objects imbued with rich but untold back-stories. Chosen for their personal significance, the objects represent the secret desires, hopes and dreams of the "Afaf" or "unnamed" women Hefuna met while working in Cairo. Displayed in the kind of glass vitrines commonly used by street vendors, these otherwise banal objects are set aglow by their implied but ever-elusive meanings.

Notes to Editors

Knowledge is Sweeter than Honey will be on view by appointment from Thursday, 19 June until Friday 1 August 2008.

Albion
102 Prince Street
New York
NY 10012
Tel 212.343.3959
http://www.albion-gallery.com

Lebanon Now New Media Art Exhibition

Posted on: Thursday, June 19th, 2008

From 21 to 30 June 2008
Between 11 am and 7 pm (except Sundays)
Opening : Friday 20 June at 6 pm

LAA Galleryn Al Wagf Addurzi Bldg. 2nd floor Verdun Street. Beirut

Information: Suzanne Khairallah Mobile : +961 3 756 404 Email : lbaaps@gmail.com
The Association of Lebanese Artists presents « Lebanon Now », the art exhibition of the new media. Sponsored by USAID, this exhibition shows works done with the latest technological means. These works question Lebanon today, which is more disconcerting and intriguing than ever. The artists experiment with the binary code and look at Information and Communication Technology from a new perspective. There is no doubt that the sociocultural and the sociopolitical are featured. The artists « tell » their Lebanon through the elements of their numerical world, i.e. images, sound, and words. This event transposes the observer (turned into user) into a new esthetic experiment. It is the long-awaited occasion both by the artists and an art (and technology)-loving public to experience together a form of contemporary art involving not only the observer but also an important team of scientists and computer engineers without whom the new media art would simply be disembodied.

The participating artists:

Jean-Louis Eddé and Hayla Saab Demelero
Type of work: Telepresence device
Title: Message not delivered
© 2008
Through their « Message not delivered », the two artists build a representation of themselves in society, where elements from their respective lives in relation with their real-life experiences are featured. They deal with the issues of immigration and long-distance relationships through a telepresence system.

Charbel Haber and Yara Raffoul
Type of work: Audio website
Title: 6 O’clock
© 2003
The work of these two artists is defined as a leisurely walk that can be perceived in two manners. On the one hand it is a graphic and visual stroll accompanied by music, noises, and sound patches. This same road can also be perceived in the opposite direction: it is the graphic that represents the music. This walk remains a free walk of traditional page layout, proportion, typography, and even readability.

Mansour El-Habre
Type of work: Experimental website
Title: How he lost his right hand finger
© 2008
Mansour El-Habre presents a website where the user browses around and collects elements aiming to answer the question: « What did he do to lose his right hand middle finger as a child? ». The reply is attained through a labyrinthine navigation that puts the user in front of numerous disturbing possibilities that question the reality of the civil war of 1975.

Rabih Khalil
Type of work: Internet Search Engine
Title: Lebanon everywhere
© 2008
The artist presents a Search Engine under the name “Lebanon everywhere”. It is a letter collector that searches exclusively for the letters composing the word “Lebanon”. In any text appearing on any website, the letters that constitute the word “Lebanon” are automatically selected, reassembled, and displayed.

Ricardo Mbarkho
Type of work: Digital images
Title: Digital visuals from Lebanon
© 2008
Ricardo Mbarkho presents « Digital visuals from Lebanon », a series of digital images printed on large format photo papers based on the numerous agreements signed by the Lebanese State since the independence of Lebanon. In order to obtain these images, the artist made the computer “believe” that the files containing the texts of these agreements are image files. The computer calculated the binary code of each text file and generated the corresponding image. The series comprises images of binary codes of texts such as: the Doha agreement, the Taef accord, the Lebanon-Syria Treaty of Brotherhood, Cooperation and Coordination, the tripartite agreement, the Cairo agreement, the national pact, the Lebanese constitution, as well as the word « Lebanon » itself.

Nadia Oufrid
Type of work: Online theatre
Title: Dialogue
© 2008
Nadia Oufrid presents an online play entitled « Dialogue ». Once the user is connected to the project’s website, he is greeted by two virtual actors on a virtual stage. They recite texts taken from two URL addresses randomly selected by the system. The user can change the URL addresses to his liking and therefore change the dialogue of the actors, as by drawing from various Lebanese sites (political, artistic, or other). The various emotions that characterize the lines are rendered by the tone of the voice, the noises, and the music.

Shawki Youssef
Type of work: Online interactive game
Title: Construct Lebanon
© 2008
Shawki Youssef’s project is an online game on the possibilities of a potential « construction » of Lebanon, based on the daily political speeches. The screen displays the pieces of a puzzle that constitutes the map of Lebanon. The player has to manually assemble the pieces, but his success depends on the choice of the “words” of politicians that are published in newspapers. Some “words” might lead the player to victory and end the game whereas others would lead to a higher difficulty level and thus extend the game’s duration.

Bob Carlos Love Dolls Never Die….

Posted on: Thursday, June 19th, 2008

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The Love Dolls Never Die portfolio comprises ten of the most iconic images ever taken by the artist, housed in an artist designed clamshell box. Each of the ten images measures 24 x 34" and comes from the edition of 100 piece executed by the artist during his lifetime, with all pieces being stamped and inscribed by the Estate of Bob Carlos Clarke. Only ten box sets will be made available. The set contains the following images:

 

Adult Females Attack Without Provocation, Fantasy Females are Impossible to Satisfy, Duty Kills, Masked Blonde, Total Control, Nookia, Teasemaid, Dolls That Do Dishes, Love Doll and Dita Doll

more info http://www.guyhepner.com/content/content.php?id=1122

Stephen Prina on Bruce Goff

Posted on: Tuesday, June 17th, 2008
Saturday 21 June 2008, 20.00
American artist Stephen Prina is highly regarded for his hybrid, intricate practice, which plays with the role of the artwork within cultural and institutional networks.

This screening features the premiere of Prina’s new film, The Way He Always Wanted It II (USA, 2008, 35mm, approx 30 min), which investigates the architect Bruce Goff’s own multi-faceted approach to music, painting and architecture. Shot in Goff’s Ford House, the film includes a score by Prina, performed in the house and written using excerpts from Goff’s own compositions and correspondence.

The screening also includes Prina’s previous film Vinyl II (USA 2000, 16mm, 21' 30 min) which details the slippage between two Baroque paintings at the Getty Museum in Los Angeles.

Tate Modern  Starr Auditorium
£5 (£4 concessions), booking recommended

The Happy Hypocrite

Posted on: Tuesday, June 17th, 2008

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The Happy Hypocrite
for and about experimental art writing
edited by Maria Fusco

The Happy Hypocrite is a biannual journal led by artists’ writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack their methodology, whilst providing a brand new approach to art writing. It will provide a greatly needed testing ground for new writing and research-based projects, somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.

http://www.bookworks.org.uk/asp/home2.asp

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