OLEK at Tony’s Gallery Private View Thursday 26th 2012



27th January – 23rd March 2012

“I do not expect to be a mother but I do expect to die alone”

Tony’s Gallery to present “I do not expect to be a mother but I do expect to die alone”, the first UK solo exhibition by Polish-born, New York-based artist Olek. Renowned for her use of crocheted yarn as a medium both indoors and on the street, the artist has created a major installation and sculptural environment: a distinctive Olek-esque living quarters filled with domestic objects of all kinds. These, along with the gallery walls and floor, have been entirely covered in crochet.

Both playful and rich in metaphor, the brightly coloured work on display features multiple designs including Olek’s trademark camouflage motif. The omnipresence of explicit messages crocheted into the objects, are statements revealing her position as a female artist in an art world that is inclined to have sexist opinions. These text-based pieces replicate actual missives sent to the artist by SMS text messaging, immortalising intimate details of her past relationships. The viewer thus becomes witness to Olek’s personal history as she continues her exploration of modern day concerns, touching upon the themes of privacy, technology and communication.

For this exhibition, Olek has drawn inspiration from her experiences of living in the UK over the past few months and assimilating into British culture, as reflected in recent works such as her crocheted London black cab, a piece produced outside of Tony’s in November. The show’s title is a direct quote from I do not expect, an appliquéd blanket produced by Tracey Emin in 2002.
Her practice has the striking quality of presenting a double-edged approach whereby the initial impact is colorful, enchanting and almost cartoon-like and yet under this camouflaged skin lies a complex and subversive metaphor for the world as she sees it. She instigates a dialogue between fiction and reality by carefully playing with our ambivalent perception of her work.

The performative nature of her work is an essential element within her practice, from the time-consuming and laborious act of crocheting on immense scales to her active and impromptu positioning of objects in the street as well as her use of participating performers who, dressed in crocheted suits, are part of her environments. This notion of performance instigates an interaction between the artist and viewer who inadvertently takes part in her work either by discovering her objects or by ultimately being positioned within her artistic context.

Later this year, Olek will participate in the Smithsonian American Art Museum exhibition, 40 under 40, which will showcase her entire crocheted studio apartment. She is quickly becoming recognised as an influential artist in the contemporary art world as well as the street art scene, and was recently listed in an Artinfo article See the Women Who Shook Up the Art World in 2011 alongside Anita Zabludowicz, Marina Abramovic and Mera Rubell and has also been listed in “The 25 most important artists of 2011” along with Damien Hirst and Ai Weiwei.

Olek was born Agata Oleksiak in 1978 in Poland. In 2000, she received a Bachelor degree in Cultural Studies from Adam Mickiewicz University in Poznan, Poland, and relocated to New York City, where she is currently based. Olek’s work has been exhibited in galleries, museums and public spaces worldwide, and featured in numerous publications such as The New York Times, New York Magazine, Time Out NY, Village Voice, CNN, ABC News, CBS News and NBC News. Olek is the recipient of awards including the Ruth Mellon Award for sculpture in 2004, In Situ Artaq award (France) in 2011, and a grant in 2011 from the Lower Manhattan Cultural Council (LMCC) for performance in public space. Olek’s residencies have included Sculpture Space in 2005, Instituto Sacatar (Brazil) in 2009 and AAI-LES in 2010. In 2008, Olek was the winner of the Apex Art competition, which aired on PBS. In 2010, the artist was commissioned by the Brooklyn Museum of Art for a one-day interactive performance installation.


About Mark Westall

Mark Westall is the founder and editor of FAD magazine, a curation of the world’s most interesting culture, and Creative Director of FAD Agency, a strategy & creative agency working with brands to solve business problems using cultural tools. In 2008 following his passion for art he founded what has grown to become FAD magazine. FAD magazine is internationally recognized as a key figure within the emerging and contemporary art world, and has been selected as official partner by organizations as diverse as Moniker Art Fair, START, Volta and Christie’s. In addition Mark is a columnist for City Magazine.

Leave a Reply

Your email address will not be published. Required fields are marked *