Francis Bacon’s body turns out to be Lucian Freud’s in self-portrait

A detail from Francis Bacon’s Study for Self-Portrait (1964), which has an auction estimate of £20m.

Powered by article titled “Francis Bacon’s body turns out to be Lucian Freud’s in self-portrait” was written by Mark Brown, arts correspondent, for on Friday 25th May 2012 15.51 UTC

The head may unquestionably be Francis Bacon in this 1964 self-portrait but the body has never looked right. That is because from the neck down, it revealed, it is Lucian Freud.

Experts at the auction house Christie’s made the discovery about Study for Self-portrait ahead of its planned sale in next month’s London sales of postwar and contemporary art.

After studying John Deakin photographs of Bacon and Freud, Christie’s concluded that the body in the work must be Bacon’s friend Freud.

It is “an exciting new discovery”, said Francis Outred, head of post-war and contemporary art at Christie’s, and the only self-portrait of its kind. “It is a rare painting from the height of Bacon and Freud’s relationship, paying tribute to the creative and emotional proximity both felt for a time.”

The painting, described by Christie’s as “poignant and exceptionally intimate”, is estimated at £20m. It is one of only 12 floor-length self-portraits by Bacon, four of which are in museum collections including the National Museum of Wales, the Modern at Fort Worth in Texas, the Hirshhorn in Washington, and the Van der Heydt museum in Wuppertal.

Bacon and Freud were close though competitive friends, having first met in 1945 through another major British artist, Graham Sutherland. Outred said: “Part of the same artistic circle, the artists deeply impacted one another, both in terms of personality and practice.”

The theme of artistic friendship is also explored in another work at the same sale: Freud’s Head of a Greek Man which commemorates his travels to the Greek island of Poros with the artist John Craxton at the end of the second world war.

It was exhibited in a joint show of the artists’ work in 1947 and acquired by Craxton, owned by his heirs until now. Christie’s have an estimate of £1.5m-£2m on the work.

The new discovery Bacon and the early Freud will be sold by Christie’s in London on 27 June. © Guardian News & Media Limited 2010

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About Mark Westall

Mark Westall is the founder and editor of FAD magazine, a curation of the world’s most interesting culture, and Creative Director of FAD Agency, a strategy & creative agency working with brands to solve business problems using cultural tools. In 2008 following his passion for art he founded what has grown to become FAD magazine. FAD magazine is internationally recognized as a key figure within the emerging and contemporary art world, and has been selected as official partner by organizations as diverse as Moniker Art Fair, START, Volta and Christie’s. In addition Mark is a columnist for City Magazine.

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