Jon Burgerman answers FADs Questions

Jon Burgerman is an artist with a sense of humour.
It is clearly seen in his work, his stylized bright and witty characters lending themselves to a comical narrative. Having exhibited everywhere from Japan to Taiwan, New Jersey to Paris, his artwork has become ubiquitous. Whether making limited edition prints, painting murals or designing teapots and t-shirts, Burgerman’s artwork is special and fresh.
Karen Shidlo asked him a few questions about art, life and New York versus London.

How did you conceive your characters and current style? Did they evolve over time?
The characters are an evolution of the characters I used to draw as a child. When I was young I was into making my own comics. I used to copy ideas from things like The Beano and Dandy, and characters from Garfield, amongst many others. Everything you see goes into the melting pot of your mind. Today, as before, I am still being influenced by the cool things I see, with each thing making a little impression on how I work. I hope that my work will continue to evolve and develop; I find it boring to keep working in the same way all the time.

You work in a variety of mediums – from shirts to teapots, your artwork can be purchased on a diverse selection of objects. Do you feel that you need to liberate your drawings from paper? Why do you think your style suits these various surfaces?
Because it’s there (?). I’m not sure but everything starts off as a drawing. The white piece of paper sat in front of me is a portal. Where you go from there is up to you, you can go anywhere. An architect makes a sketch and eventually a building is unveiled in a city. Drawing is a powerful act, with the swipe of a pen you can create a whole world, or a teapot.

You have been in some pretty awesome gallery exhibitions, art fairs and worked with Kidrobot. What is your favourite way of working and showing your new artwork? Do you like having so many platforms to exhibit and sell your work?
My favourite way of working is just pen on paper. My favourite way of showing new work is to just pin it to the wall. The different platforms open up new possibilities to connect to people and share my work, and world, with them. It also opens up interesting problems, such as designing a vinyl toy made me think how my characters looked in three dimensions. Working in different ways, with different people in different counties only serves to test the sensibility of your work and open up challenging ways of keeping it fresh.

Do you think about your audience when making your work? Do you target anyone specifically? Can you describe your ‘typical’ Burgerman fan?
I think it’s very dangerous to second guess what your audience might want. As an artist my work has always been self-directed. I think it’s a mistake if a little further down the line, once you have some attention for your work, you start to think of the audience as a client that must be appeased. I’d like my audience to be surprised and delighted once in a while with what I make. We all have to grow together. Someone wrote on Facebook recently that they ‘missed the old Jon Burgerman’. I’m not even sure what they meant, I still pretty much peddle the same poorly rendered scrawls as I used to do. I take it as a growing pain. The only person I’m trying to please in making the work is me.

Where do you prefer living, New York or Shoreditch?
You know, there’s not a huge difference between where I am now in Williamsburg Brooklyn and Shoreditch.
New York is great and so is London but for now I prefer being here in New York, if only for the fact this is where all my clothes and pens are, and I need them most days.

Are you inspired by the street art/art scene in general here in East London?
I have a bunch of friends in the ‘scene’ that I always look out for. It’s nice as I walk up Old Street to see what new stuff has been plastered around the place. I always seem to bump into the brilliant Connor Harrington near Brick Lane. I’m often massively jet lagged and frothing at the mouth so I’m not too sure what we talk about though.

Lastly, what’s coming up for you? Any cool projects?
Amongst a whole bunch of things next year sees my first animated work for a film, a documentary called The Great Hip Hop Hoax, which is great. I’ll be back in Europe for the Pictoplasma festival in Berlin, hopefully be doing something with my band Anxieteam at Pick Me Up 2013 at Sommerset House in London. I will be embarking on an art and performance tour of the Far East shortly after that.

Words: Karen Shidlo

Some of Jon Burgerman’s prints are available to buy at Jester Jacques Gallery online
and the bulk of his work can be bought at

About Mark Westall

Mark Westall is the founder and editor of FAD magazine, a curation of the world’s most interesting culture, and Creative Director of FAD Agency, a strategy & creative agency working with brands to solve business problems using cultural tools. In 2008 following his passion for art he founded what has grown to become FAD magazine. FAD magazine is internationally recognized as a key figure within the emerging and contemporary art world, and has been selected as official partner by organizations as diverse as Moniker Art Fair, START, Volta and Christie’s. In addition Mark is a columnist for City Magazine.

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