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Gregory Crewdson@White Cube Mason’s Yard Tonight

Tuesday, April 22nd, 2008

gregory-crewsdon.jpgGregory Crewdson Untitled 2006 Archival pigment print
58 1/2 x 89 1/2 in. (148.6 x 227.3 cm) (incl. frame)
© the artistFrom 23 April - 24 May 2008

Preview Tuesday 22 April 2008, 6-8pm

White Cube Mason's Yard is pleased to announce an exhibition of new photographs by Gregory Crewdson. In this latest body of work, shot over the past three years, the artist continues to explore the lush and ragged edges of small-town America. While much of his earlier work focused on character and drama, Crewdson now shows a greater awareness of atmosphere and setting. 

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Ocontemporary presents speto and daniel melim

Friday, April 18th, 2008

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19 april to 18 may private view: friday 18 april 6pm till 8.30pm following their huge success as part of the cor da rua show last year, celebrated brazilian street artists speto and daniel melim arrive back on our shores for a joint show at ocontemporary  the frequent services from london victoria and london bridge take only 50 minutes to brighton and ocontemporary is only 1 minute from the station so its easy to come just for the evening, or you can take the ramada hotel on the seafront up on their 25% discount offer for anyone coming to see the show - call 01273 225519 and quote ocontemporary to book

WE LIKE WHAT YOU EAT at Seventeen Gallery

Thursday, April 17th, 2008

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WE LIKE WHAT YOU EATWEDNESDAY 16TH APR - SATURDAY 17TH MAY 2008

PRIVATE VIEW - Thursday 17th Apr 

WE LIKE WHAT YOU EAT is a micro survey exhibition investigating a specific set of tendencies in the practice of a selected group of North American contemporary video artists.The appropriation of pre-existing mainstream entertainment media is the dominant refrain in the work of the artists featured in this exhibition. The internet, in particular video streaming websites such as YouTube, as well as television programs, advertisements, music videos and cinema serve Paul B. Davis, the duo Javier Morales + John Michael Boling and Eric Fensler with an abundant territory from which they draw both their inspiration and subject matter.

In terms of exposure, the art gallery has been matched and perhaps even surpassed in importance by the website itself as an artistic platform for the included artists. In exact accordance with this relocation, there is no singular or predictable audience for their work and that of its ilk; from high school computer geeks to international curators - the fascinated take no dogmatic form.Immediate, humorous, inventive and, above all, relevant - the artists in WE LIKE WHAT YOU EAT stand as the selected representatives of a much larger movement which, while having an international span, nonetheless maintains its spiritual centre in the United States of America……….

Paul B. Davis [BEIGE] is a DJ, educator and data artist as well as being a founder member, alongside Cory Archangel, of the programming ensemble BEIGE. He had his first solo show at SEVENTEEN in 2007 and will present a solo booth at the SEVENTEEN stand at the NEXT Art Fair in Chicago, April 2008. He presents one of his trademark YouTube hacks - glitchy, pixilated visual mash-up's constructed via the manipulation of the compositional data contained within a number of standard video clips taken from the websiteJavier Morales + John Michael Boling first collaborated together as fellow students at the University of Georgia. Their collective oeuvre is here represented by two key video collaborations, The Church of The Future (2006) and Body Magic (2006); both television re-edit works that are mystical, musical and indeterminately potent.

Together Morales and Boling run the website 53 o's (http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/channel53/) and program the video blog Channel 53. Eric Fensler's diverse creative output is beyond singular classification - comprising television re-edits, cartoon re-cuts/re-voicings, Polaroid photography, music videos and network television screen writing. For the exhibition he presents a number of video works including the much lauded GI JOE PSA series - manipulated versions of the public service announcements that accompanied the end of each episode of the cult toy franchise's popular children's television cartoon. A series of evening screenings of related video material from each of the artists will accompany this exhibition. Please contact the gallery for more information regarding these events and the exhibition in general ……….WE LIKE WHAT YOU EAT is the inaugural exhibition at SEVENTEEN's new basement exhibition space - curated by Paul Pieroni.

In late May SEVENTEEN will follow this exhibition with the first major survey of the British Scratch Video phenomenon (1983/6). SCRATCH! will run from the 28/05/08 to the 25/06/08. 

Russell Herron Picks of the week

Wednesday, March 12th, 2008

Wednesday March 12th

Limoncello, Vanessa Billy, Flexible Values, 6.30-8.30pm, info: www.limoncellogallery.co.uk
Rachmaninoffs, The Work Ahead of Us, film by Joe Walsh, every day from today until 16th March, 12 - 6pm, info: www.rachmaninoffs.com
PEER, Milly Thompson (ex BANK member), Late Entry, 6-8pm, info: www.peeruk.org
The Approach E2, Sam Windett, Bon Tracker, 6-8.30pm, info: www.theapproach.co.uk
Stephen Friedman, Rivane Neuenschwander, 6-8pm, info: www.stephenfriedman.com
The Great Slowdown, group show at George Vasey's house, 17 McCullum Road, E3, 07847139460
 
Thursday March 13th

Nog, Marcus Oakley book launch, The Idea of Something, 6pm, info: www.noggallery.com
Centre For Recent Drawing, Victoria Adam and Prem Sahib, Drawing Under Construction, 6-8pm, info: www.c4rd.org.uk
Studio 1.1, John Tiney, Travelling Our Way, 6-9pm, info: www.studio1-1.co.uk
Paradise Row, Barry Reigate, Happiness, 7-9pm, info: www.paradiserow.com
T1+2, Godfried Donkor, The State of the Union, 7-9pm, info: www.t12artspace.com
Montague Arms, Second Thursday (!), Lee JJ Campbell, Frog Morris,etc etc, check out: www.frogmorris.net
176, Iain Forsyth and Jane Pollard host screening night, artists films and shorts along with their own work for Nick Cave, info: www.projectspace176.com
 
Friday March 14th

Elevator Gallery, Zero de Conduite, 7pm onwards, art, perfdormance, sonic stuff, bands etc etc, drinking…7pm onwards, www.elevatorgallery.co.uk
Parade, Eddie Peake, LADIES, 7-9pm, info: www.paradespace.com
If you happen to be in Brighton…
Permanent Gallery, Capital Stupid, Neasden Control Centre,6-9pm, info: www.permanentgallery.com
If you happen to be in Manchester…
The Manchester Museum, Alchemy Night. Jordan Baseman, Jacob Cartwright and Nick Jordan, Ilana Halperin, Jamie Shovlin, info: www.alchemy.manchester.museum
and if you happen to be in Leicester…
The City Gallery, Here Today, Gone Tomorrow, S Mark Gubb, 6-8pm, info: http://www.leicester.gov.uk/your-council–services/lc/leicester-city-museums/city-gallery/exhibitions
 
Sunday March 16th

Gasworks, film screenings to accompany Matthew Darbyshire's Blades House, 4-6pm, info: www.gasworks.org.uk
 
Tuesday March 18th

Rod Barton Invites, Daniel Pasteiner, Paintings of Colour,7-9pm, info: www.rodbarton.com
Art and War II, Cecilia Wee's series on Resonance, Part 3, 13.30-14.00, this one: propaganda, info: www.resonancefm.com
 
Thursday March 20th

Nettie Horn, No Letters, group show Ian Breakwell, Leigh Clarke, Lucy Harrison, Dick Jewell, Conor Kelly, Bob and Roberta Smith, Peter Suchin, 6-9pm, info: www.nettiehorn.com
and if you happen to be in Belfast…
Belfast Exposed Photography, Anthony Luvera, Assisted Self-Portraits, 7-9pm, info: www.belfastexposed.org
 
Friday March 21st
Transition, Oh Vienna, Zoe Mendelson and Joel Timlin, 6-9pm, info: www.transitiongallery.co.uk
 
Tuesday 25th March

Art and War II, Cecilia Wee's series on Resonance, Part 4, 13.30-14.00, this one: War Memorials, info: www.resonancefm.com
Serpentine Gallery Sweatshops (at Goethe Institute), On Fictions: Constructing Belief and Claiming the World. With: Deborah Levy, writer, working across fiction, performance and visual culture; Rosalind Nashashibi, artist; and Irit Rogoff, theorist and Professor of Visual Cultures at Goldsmiths. 7– 9 pm, info:  www.serpentinegallery.org
If you happen to be in New York…
Associates in New York, at Phillips de Pury, 6-8pm, info: www.phillipsdepury.com
 
Thursday March 27th
Vegas, Against nature, group show, curated by Ken Pratt, 6-9pm, info: www.vegasgallery.co.uk
 
Tuesday April 1st

Art and War II, Cecilia Wee's series on Resonance, Part 5, 13.30-14.00, this one: War Gaming, info: www.resonancefm.com
 
Wednesday April 2nd
Lisson, Lee Ufan, 6-8pm, info: www.lissongallery.com
 
Thursday April 3rd
Lounge, James Brooks, Translations, 6-9pm, info: www.lounge-gallery.com
VINEspace, Simon Morse, Reckoners/Reckoning, 6.30-9pm, info: www.vinespace.net

THE VOLUPTUOUS HORROR OF KAREN BLACK

Tuesday, March 11th, 2008

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PRESENTED BY THE WHITNEY BIENNIAL 2008 AND THE ART PRODUCTION FUND

FRIDAY MARCH 14TH - 8PM

KAREN BLACK

PARK AVE. ARMORY DRILL HALL
BETWEEN 66TH AND 67TH STREET
NO TICKETS REQUIRED

DEITCH PROJECTS
WWW.DEITCH.COM

Saul Zanolari

Friday, March 7th, 2008

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Fad favourite SAUL ZANOLARI has been showing work in Beijing at the
F2 Gallery -  See some photo's of the exhibition below  

http://saulzanolari.blogspot.com/

The exhibition continues until March 31st.

www.f2gallery.com
www.sauzanolari.com

‘Associates in New York’

Friday, March 7th, 2008

'Associates in New York', curated by Paola Clerico, will be a group show of twelve solo shows of new work by the twelve Associates artists. It marks the first time that all of the Associates have exhibited together after the close of the gallery.

The artists are: Ben Cain, Stella Capes, Alice Channer, Lucy Clout, Kim Coleman and Jenny Hogarth, Sean Edwards, Josephine Flynn, Tom Gidley, Matthew Harrison, Adria Julia, Matthew Smith and Adam Thomas.

Please join us at the opening if you are in New York, 25 March, 6-8pm

 
For more information please contact Phillips or Rebecca May Marston at rebecca@associatesgallery.co.uk. Associates was a non-profit gallery initiated by artist Ryan Gander. A one-year project of twelve solo exhibitions by artists who largely had not previously had a solo show in London, Associates offered the artists 100% of their sales profits.

Yoshiaki Kaihatsu presents his personal vision: “Couch on the Shore” at Maru Gallery

Monday, December 3rd, 2007

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Back in Tokyo after participating in a variety of international group exhibitions this year including "The Light Art Exhibition in Winterthur" Switzerland; "Melting Ice: A Hot Topic?" at Norway's Nobel Peace Center in Oslo (currently at Palace of Fine Arts, Brussels); and until January 2008 showing at Japan Society's Centennial exhibition "Making a Home: Japanese Contemporary Artists in New York;" ever-versatile, ever-surprising artist

Yoshiaki Kaihatsu presents his personal vision: "Couch on the Shore" at Maru Gallery.

Saturday December 8 from 6:00 to 9:00 pm for an opening reception with the artist attending. All are welcome.

Maru Gallery

Website: http://www.marugallery.com

Daniel Johnston at the Vegas Gallery

Tuesday, November 13th, 2007
'ITS THE END OF THE SHOW!'
15 November 2007 - 12 January 2008
Private View: Thursday 15 November 18.00-21.00
Vegas Gallery 
64-66 Redchurch Street london E2 7DP
Daniel Johnston at the Vegas Gallery
 
"I believe in God, and I certainly believe in the devil. There's certainly a devil, and he knows my name." (Daniel Johnston).
 
Exhibition features Daniel's early "Sharpie" marker, ink pen, ball-point pen and water colour drawings and his latest artworks from 2007.

Beloved by the likes of Kurt Cobain, David Bowie, Tom Waits, and Harmoine Korine, and regarded by many as the world's greatest living songwriter, Daniel has recorded over ten full length albums, and every musical release has contained examples of his artwork. His art compliments and expands upon the themes which are present in his music. The startling combination of innocence of heart and violence of feeling both grabs the attention of those new to his work, as well as rewarding his devoted and ever-growing international fan base with a further insight into the mind of their reclusive and enigmatic hero. His art shares with his music an arresting rawness and honesty and serves as a visual manifestation of the clash of innocence and experience which occupies Daniel's subconscious: the battle between light and dark is a battle that he has fought for most of his life, and it has seen him periodically hospitalised for bi-polar episodes. However, the devil with whom Daniel Johnston must contend has surely strengthened rather than diminished his creative talents.

The man himself is an oxymoron: the critically celebrated genius who is capable of such devastatingly beautiful music occupies the same body as the fragile man-child, who at the age of 46, still lives at home with his parents, and we witness this duality mostly saliently within his art. Daniel's vibrant, frightening, funny and insightful sketches have been exhibited in countless international galleries and he has become a permanent fixture in 'outsider' art books, which illustrate extreme mental states, unconventional ideas, or elaborate fantasy worlds. John Lennon's artwork has had an important impact of Daniel's paintings. "John Lennon was definitely an influence on my art" says Johnson, "He was one of my favourite artists, and with his cartoons and books, the artwork was really cool. I really like that style". In turn, Daniel has begun to exert his own influence upon a new generation of young artists, as he work gains more and more international recognition.

Daniel works obsessively, producing hallucinatory ink pen and magic marker drawings that draw on the iconography of his childhood; comic books, monster movies, bible stories and immediate connections with his desires and fears. Childhood characters such as Captain America and Casper the Friendly Ghost co-exist alongside his own darker creations, such as the Frog of Innocence, and a character usually meant to represent himself, a man with the top of his skull neatly excised, known as Joe the Boxer. Swastikas are a more disturbing motif, which he attributes only to a fascination with World War II, and occasionally, the work also veers into the pornographic. Comparisons can be drawn between Daniel's work and Angela Carter's dark and twisted take on the Grimms fairytales: the line between innocence and experience begins to blur. It is through Daniel's work that we are able to understand the darker meaning at the heart of our childhood fears and dreams. He reveals our own minds to be the closet from which the monster jumps, and his work is conversely simple yet complex, amusing yet disturbing, and never anything less than deeply affecting and tragically beautiful.

Minivegas, a collective of video-directors, will be showing the animation they made earlier this year for Daniel Johnston's song "True Love Will Find You In The End". This short video used a mixture of techniques like miniature backgrounds and stop motion animation combined with CG characters. All the characters are based on the original drawings by Daniel Johnston. It shows recurring characters like the Devil and Jeremiah The Frog. The video had his premiere at the NFT London at BUG in September .Other videos by Minivegas have been shown worldwide at festivals won many prices and acclaimed various awards like the Bronze and Silver CLIO award. Minivegas was also selected to feature in the 2007 Saatchi & Saatchi New Directors' Showcase.

James Unsworth, a London based artist who graduated from MA Printmaking at the Royal College of Art in 2006, will show one of his newest drawings. Influenced by Daniel Johnston, James' work presents a grotesque and precisely detailed picture of a dark world all of us have visited but are scared to dwell upon let alone talk about, in order to preserve our own sanity. Many of his works are centred on a sexually obsessive honesty that captivates the viewer in its brazen delivery.

ÜBERleben

Sunday, October 28th, 2007

opening Wednesday, October 31st, 7pm
** party with music by Sanya and special guest performances by Filippa, Vita Doll and Barbara Ehwald, 9pm to midnight

PROGRAM: initiative for art+architectural collaborations
Invalidenstrasse 115, 10115 Berlin-Mitte
t. +49 (0)30 39 509318
www.programonline.de

Curated by Sophie Hamacher and Louise Witthöft
Exhibition architecture: Nikolai Kaindl

Exhibiting Artists: Bernadette Corporation (US), Karl Holmqvist (SE), Rafal Jakubowicz (PL), Jannis Jaschke (CH), Elena Kovylina (RU), Rebecca Kressley (US), Malte Lochstedt (DE), Elke Marhöfer (DE) and Andro Wekua (GE).

ÜBERleben

The works in ÜBERleben take on a series of scenarios in which (retro)active myths of the Gothic are used as exercises of ideological critique. Whether we speak of psychological terror or graphic horror, the Gothic has always functioned in relation to its cultural context, exhuming fears, visualizing anxieties, or dealing with unresolved dilemmas already present in society. With details that reference 13th century Gothic architecture, the exhibition structure places the artworks in and around a series of polygonal chambers that were conceived using a technique of pentagrammatic triangulation.

In this gothic land of zombies, vampires and other monsters where social moods of stagnation, depression, anxiety, emptiness and inactivity are controlled by the boundlessness of consumption, the artworks present a vigorous need for survival. Überleben (survival, over-life) implies a certain in-between state, a state that perhaps lies between life and death while at the same time being 'over life', maybe even outside of it – a controlled 'survival' going out of control.

Please click on the picture or visit www.programonline.de for more information.

exhibition period: October 31 – December 15
opening hours: Tue–Fri 2-7pm, Sat 11am-7pm

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