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Plea for the London Musicians’ Collective

Tuesday, February 5th, 2008

OK, I was sent this about a month back, and ought to have posted about it at the time, but better late than never. The London Musicians' Collective is in trouble. Please help in any way you can. The LMC is an amazing organisation which has been guiding my music education for over 15 years now. Without it there would almost certainly be no Empty Space radio, for many reasons.

Over to Ed Baxter of Resonance FM:

As you may be aware, Resonance FM was established by London Musicians' Collective. LMC's remit has been, for thirty years now, to support avant-garde music, that supposedly "difficult" stuff that gets lampooned as elitist noise in the popular press and on the "Today" programme. The list of its achievements would take up many pages (a tiny fraction is at www.l-m-c.org.uk). Suffice to say, Resonance FM was entirely the creation of the LMC Board and emerged directly from its work. No other organisation would have realised such a project: no other organisation did.

LMC's grant from Arts Council England's Music Department has now been entirely cut. The radio station is not immediately threatened, as it is financed directly by the Visual Arts department (Music having never expressed interest in Resonance whatsoever). But to have one without the other is, as you can imagine, a little pointless to those of us who set up Resonance FM.

This year, ACE has managed to find £1.7million to underwrite the launch of a new music umbrella body, "The New Organisation." LMC was excluded from the discussions about this quango, the stated ambitions of which sound remarkably like what we have been realising on a daily basis for the last five years: the maintenance of a hub which encourages, nourishes and broadcasts the work of musicians of every stripe from our locale and beyond, etc etc (only couched in the language of marketing consultants and apparently to be manned by people devoid of originality or vision). Meantime, too, the sequel to LMC's best selling CD, Peter Cusack's "Your Favourite London Sounds" plays in ACE's lobby as a permanent audio exhibit!

I wonder if you would help me by writing a short email to the people at ACE Music, expressing your support for LMC? And ask for an acknowledgment of your email. If they receive five or six thousand emails, maybe they will be prepared to reconsider this crisis of their own making.

Please address your email to the following persons:
graham.knight@artscouncil.org.uk (Assistant Officer, Music, London)
helen.sprott@artscouncil.org.uk (Head of Music, London)
moira.sinclair@artscouncil.org.uk (Director, London)
peter.hewitt@artscouncil.org.uk (Chief Executive, National)

Please make the subject "From " rather than something generic that can be easily ignored. Bear in mind, these are public servants: they work for us and you can, I think, insist on a response. Don't be surprised to receive an Out of Office automatic reply initially: of course everyone responsible will be heading to the hills!

Please cc it to "plea@resonancefm.com" so we have a copy on file. All emails sent to this address will be treated in strict confidence.

The second way you can help is of course financially, by becoming a member of LMC and expressing your support with your hard-earned cash. At this time of year, such a request must appear vulgar and inapposite. And it is something we have never pushed in the past, because the radio station was set up with a sense of social purpose, in a spirit of frank and open hospitality. So don't send us any money, just another email with the subject "Potential Member," no more than that: we'll only get back to you IF we manage to crawl out of this particular hole.

I find this really mortifying. Every other email from me seems to be asking our supporters for money: and this year we raised over £17,000 from individual donations, so I'd hoped that we were in the clear for a while. But, cocooned in the overwhelmingly positive and intelligent environment provided by Resonance, perhaps I underestimated the cynicism of these times.

Sincerely

Ed Baxter
programming director
Resonance104.4fm
144 Borough High Street
London SE1 1LB

Black Dogs and Werewolves in London

Monday, December 3rd, 2007

FAD's pick of the art events this week is Dogs Vs Wolves - "Gallery Giveaway" at the Dazed Gallery on Thursday: 

Opening event - December 6th – 7pm –9pm

Exhibition continues December 7th - December 21st 2007 10am - 6pm Monday to Friday
112-116 Old Street, London, EC1C 9BG

Outline
Audience literally becomes artist in the latest in a series of convoluted processes from two gangs of Art Quadrupeds.

As we are approaching the season of good will art collectives Black Dogs and The Werewolves of London have decided to collaborate with the exhibition ‘Dogs vs Wolves’ and provide two lucky punters with a yuletide gift: The opportunity to display their work in Dazed and Confused gallery.

For the opening event on 6th December you are urged to bring along small change and proposals for what you’d do with the gallery space. Black Dogs and Werewolves will act as competing arts councils vying for your attention with the submission fees starting at one pound creating the budget to fund two winning projects, one chosen by each group.

Additionally, in return for your submission fee you will be provided with a proposal form and a service from the art collective of your choice, ranging from fantastical live-soundtracked movies to sound artistic advice and nibbles. The more money you spend, the more you increase your chances of having the Dazed gallery for Xmas and the bigger the final budget for your work!

Your bright ideas and informed discretion will be necessary to bag yourself the prize of a show at the centre of the art universe. Will your proposal be more likely accepted by a group of art-hungry lupines or by booze-hound art-upstarts?

The selected artists will have one week to produce and install the work and the shows will then have a joint opening on 13th December, 7-9pm at Dazed Gallery. On this occasion the public attending will be allowed to vote for the show they think has been most successful thereby declaring that artist and their group sponsor the winner of Dogs Vs Wolves.

The event
Here’s how it all works:

  1. Browse the Black Dogs and Werewolves work. Choose which art collective you will hand your proposal to.
  2. Pay your submission fee and receive your proposal form and partake in service.
  3. Use the forms provided to write down your proposal (refer to the guidelines provided).
  4. Your proposal will be checked over by the relevant artist council and once passed will be placed in either the Black Dogs or Werewolves hat.
  5. You may return to the show and enjoy other services. The more proposals you make, the more services you experience and the bigger the budget for the works.
  6. At the end of the evening one proposal from each hat will be selected and the money made from the services will be awarded to the successful artist. You must be present for the draw to be declared a winner.
  7. The audience members who have had their proposal chosen then have until the13th December to realise the work they have proposed with the guidance and resources from their sponsoring art collective Black Dogs or Werewolves.

www.dazeddigital.com/incoming

www.black-dogs.org

www.thewerewolvesoflondon.org

Books and Badges on Buses in Leeds

Monday, May 14th, 2007

As part of Situation Leeds Festival of Art in the Public Realm 2007 Monitor, Black Dogs and ‘The Waiting Game’ present an evening of bus and badge related
art mayhem.

Featuring:
DJ Jonny Strangeways
WebsterGotts
Charlotte Beevor-Reid
Yvonne Carmichael and Bryony Pritchard
plus more to be confirmed.

And launches of the Monitor : Badge Project and Tessa Hall and Eva Rowson’s The Waiting Game

An evening of crazy bus-stop dancing, party games, bus-related trivia quizzes, badges, prizes and more!
Tuesday 15th May 2007
7 – 10pm
The Subculture, The Merrion Centre, Leeds

The club night Idioteque playing all manner of indie rock, Bulgarian gabba and Serbian grind will follow from 10pm onwards.

Entry on the door: £5 (includes entry to the Idioteque, or a £2 refund if you leave before 11pm)

Bloc Inn

Wednesday, January 31st, 2007

WebsterGotts Bloc Inn

For its first show of the year, Bloc will house an installation by artist duo WebsterGotts that continues their practice of creating drinking-inspired artwork.

In their work Scott Webster and Alexis Gotts closely examine pub memorabilia and culture, reproducing an assortment of objects, sayings and images. Pub furniture, framed photographs of grand gentlemen from an unknown time, and philosophical quotes have been replicated but do not pretend to be authentic. Some images include the artists themselves: a television in the corner of the gallery, instead of screening sport, shows footage of the artists nonchalantly pouring pints of bitter on their crotches.

The artists explain that the aim of the exhibition is not to turn the gallery into a pub; rather their interest lies in the effects of removing such objects from their original setting, and the re-contextualisation of the social aspects of pub culture:

“As Sheffield’s once thriving industry has dwindled, so has the influx of students increased. In Sheffield’s ‘Cultural Industries Quarter’ (CIQ), artists and film-makers mingle with local workers for lunch time pints and after-hours socials. We’re interested in pub memorabilia as it’s an intriguing phenomenon for many strangers and non-locals. Old photographs of local heroes and long-gone regulars; framed newspaper cuttings and hackneyed drinking jokes can provide tenuous links to the local past.”

3 - 18 FEBRUARY 2007
Blocspace, 198 Arundel Street. Sheffield S1 4RE
Thursday to Sunday 12 - 6pm
Private view: Friday 2 February 7-9pm
Artist Talk: Sunday 18 February 2pm 

International Project Reunion: INSITE_05: San Diego/Tijuana

Thursday, September 7th, 2006

bristol

Javier Tellez, “One Flew Over the Void (Bala Perdida)”, 2005
Courtesy insite_05

Wednesday 4 October 2006
11.00 – 16.00
Arnolfini, Bristol
http://www.situations.org.uk/

Situations launches a new series of project reunions, bringing key participants from a recent international exhibition back together to reflect on the project from conception to final outcome.

(more…)

New Work Yorkshire

Wednesday, September 6th, 2006

New Work Yorkshire (which I keep mis-reading as New York Workshire) is an artist-led network of practitioners based in the Yorkshire region who make or wish to make New Work, including performance, live art, new theatre, new dance, installation, video-art, time-based arts, sound-art, experimental music, cross-disciplinary and digital practices.

New Work Yorkshire runs an e-mailing list and organises a number of talks and events, including opportunities to show and discus members' works. For more information visit their website.

1ST SEPTEMBER-31ST OCTOBER 2006 PRIVATE: STAFF ONLY

Tuesday, August 29th, 2006

A show that is not being shown, is an exhibition by more than 70 ICA staff that is taking place entirely in the private areas of the ICA. PRIVATESTAFF ONLY documents the show and provides links to the websites and blogs of the participants. The show is curated by Joe Schneider and Russell Herron.

PRIVATE participants: Andrew Bala, Angelo Madonna, Anita Timlin, Anna Schori, Anjana Janardhan, Astrida Grigulis, Ben Parsons, Ben Woodeson, Bimba Champion, Claire Lloyd, Claire Moore, Clare Evans, Danny Birchall, David Ellis, Deva Palmier, Dougie Belford, Duncan Smith, Edvine Larssen, Emma Pettit, Fabio Henrique M. Paiva, Geraldine Walsh, Herbert Wright, Infinite Livez, Iona Scott, Isolda Pujol Piza, Jane Pearce, Jasleen Anand, Jen Wu, Jennie Sharpe, Jennifer Thatcher, Jens Hoffmann, Jitan Patel, Joe Schneider, John Dunning, Julia Hamilton, Julio Pereira, Jussi Brightmore, Kate Street, Kate Wallace, Laura Karacic, Lee Curran, Lena Nix, Liana Nobilo, Mara Castilho, Marcus Sweeney, Mark Harrison, Mari Reinjders, Martha Pym, Martine Rouleau, Matt Packer, Michael Ajerman, Mika Nakayama, Nathaniel Mann, Nicola Chambers, Oki Uhure, Patrick Waters, Patrick Coyle, Paul Shottner, Puneet Sulhan, Redmond Entwhistle, Richard de Cordova, Roy Brendon, Russell Herron, Sarah Scarsbrook, Sean Garland, Simon Humm, Sipei, , Tim Anderson, Toby Messer, Viniita Moran

Rotherham Open Arts Renaissance - ROAR

Thursday, August 24th, 2006

Rotherham Open Arts Renaissance is a new and vibrant community of professional artists working in Rotherham who seek to make Arts and Culture central to the renaissance of the town.

ROAR will be launched as part of Rotherham Arts Festival.

12th September
Speigeltent
All Saint’s Square
Rotherham
5 pm

For more information please contact Jay Baker of Silencebreaker Films.

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