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Jeff Koons at The Metropolitan Museum

Monday, April 28th, 2008

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Jeff Koons' rooftop installation at The Metropolitan Museum opened today, featuring three stainless steel sculptures with transparent colored coatings. The three pieces are Balloon Dog (Yellow), Sacred Heart (Red/Gold), and Coloring Book, the last being the representation of a sloppily colored-in illustration of Piglet, from the Winnie the Pooh series. The special exhibition will continue through October 26.

The NY Times wrote the rooftop is "inhospitable site for sculpture," but "Their setting aside, Mr. Koons’s sculptures remain intellectually and sensuously exciting objects — 'Balloon Dog' is a masterpiece — and they are worth visiting under any circumstances." culturegrrl reports that Koons' "Tulips" was considered but ultimately deemed too big for the roof.

Via Gothamist (more photos)

Neil Webb: The Stars In Us All

Saturday, November 3rd, 2007

Neil Webb: "The Stars Within Us All"

Last night I went to the opening of Neil Webb's (AKA Bocman) latest show at Bloc space, Sheffield: The Stars In Us All.

The work is inspired by astronaut Dave Bowman's last words before entering the black monolith in Stanley Kubrick's 2001: A Space Oddyssey: "My God, it's full of stars". Webb has positioned three black monoliths around the studio, each highly polished and perfectly reflective. The monoliths, the room itself, and a bench in the room all act as loudspeakers, broadcasting a 45-minute sound piece. The only faint light in the gallery is provided by blue neon lights behind each monolilth.

The result is suitably awe-inspiring, frequently meditative and contemplative, and occasionally disturbing. As with previous works by Webb which I'm familiar with, there is a perfect relationship between the auditory and the visual, and every element seems perfectly judged to contribute to the overall experience.

The show is also reviewed in today's Guardian Guide

Art Installation

Tuesday, October 9th, 2007

Art Installation
Originally uploaded by FADLive

Anti oil installation in Berlin at least I think it is

Anthony Gormley in Berlin

Tuesday, October 9th, 2007

Anthony Gormley in Berlin
Originally uploaded by FADLive

Went to this Gallery in Berlin The George Kolbe Museum which was set up by the sculpturerer himself. Really nice gallery at the end of a residential street.

www.georg-kolbe-museum.de   

Zhang Huan at Haunch of Venison Berlin

Tuesday, October 9th, 2007

more info above

RoFo HeadGear

Monday, February 19th, 2007

computerheadgearsideviewwithface.gifrofohotdogside.gif

 Got  a press release about this website today a unique functional sculptural experience  LINK

James T. Williamson: It’s Hard Work- Bush

Wednesday, February 7th, 2007

this via Tim Yu at coolhuntiing

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The latest sculpture by Brooklyn artist James T. Williamson, titled "It's Hard Work," is a spoof on the traditional plaster presidential bust. What began in 2001 as a study to better understand Bush's face, the all-to-familiar squinting visage comes in a military green, slate blue, red and tan. Williamson says, "I had been creating two dimensional Bush protraits and caricatures and was frustrated by his deceptively complex face." more details including where to by one after the jump link

A Rose Has No Teeth: Bruce Nauman in the 1960s

Monday, January 15th, 2007

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Bruce Nauman: Infrared Outtakes: Neck Pull (photographed by Jack Fulton), 1968/2006; four Epson UltraChrome K3 inkjet prints; 20 x 28 in. each; University of California, Berkeley Art Museum and Pacific Film Archive, gift of the artist and Gemini G.E.L. LLC. Copyright 2006 Bruce Nauman / Artists Rights Society (ARS), New York.  

The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) presents A Rose Has No Teeth: Bruce Nauman in the 1960s, a major exhibition of early work by Bruce Nauman, one of the most influential artists working today. The exhibition is the first ever to focus on the years Nauman lived in the San Francisco Bay Area, and features the full range of his work from the 1960s, when he laid the foundation for all of his subsequent, ground-breaking work in sculpture, performance, and film and video art.

Curated by Constance Lewallen, BAM/PFA senior curator, the exhibition will provide new research and insight into a vital early stage of Nauman's career. Featured in the exhibition will be more than 100 works - several of which have never been exhibited before - including drawings, sculpture, neon reliefs, photographs, films, videos, sound and text works, installations, artist books, and ephemera. A Rose Has No Teeth: Bruce Nauman in the 1960s will be on view at BAM/PFA from Wednesday, January 17 through Sunday, April 15, 2007, before touring Europe and the United States.

Nauman is widely regarded as being among the most important living American artists. His work employs forms that range from Post-Minimalism and Conceptual art to film and video and installation art, through which a series of themes and ideas consistently appear: the use of the body as a material; the integration of art and language; the relationship of art and architecture; and such dichotomies as concealment and revelation, interior and exterior, and positive and negative space, among others.

Calling Nauman's work "more pertinent than ever," the New York Times recently stated: "A pioneer in Post-Minimalist video and performance art, and a sculptor of seemingly limitless versatility, Mr. Nauman has been famous and critically admired since he arrived on the scene…and his work has exerted an important influence on contemporary art ever since." LINK

Museum Het Domein presents Rik Meijers

Thursday, January 11th, 2007

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Rik Meijers - Bottles (2006), Various sizes, mixed media on glass.

SITTARD, THE NETHERLANDS.- Museum Het Domein presents Rik Meijers - Don't do that any more - Paintings, drawings, objects, on view through March 11, 2007. Under the title 'Don’t do that any more', two years after his last solo presentation, Rik Meijers is given the opportunity to present an overview of his artistic oeuvre in Museum Het Domein. Alongside the mystical portraits that are a recurrent feature in his work, Meijers will be presenting recent paintings and work never previously on public display, such as painted bottles and Polaroids. Here, the artist is not only referring to low culture and unpretentious, salt-of-the-earth folk art, but to logos, secularized or not, and Art Brut.

Fabulous figures still populate the world of Rik Meijers, (1963), who lives and works in Sittard. It is a domain where martyrs, prophets, mystics and gurus rub shoulder with pin-ups, vagrants, hippies and members of his family. The projection of their images on top of and over each other is the basis of the canvases onto which strata of paint are literally layered, along with less traditional materials like pitch and feathers, bottletops, shards of glass and beads. These collective personalities are shown in close up and embody alien (de)formations, and the capricious, illogical impact that reality exercises on the individual. This, however, the artist accomplishes without adopting a determinist position: the works are impossible to place in a background or context and elude judgement.

For Meijers, representing and animating his protagonists is what it’s all about. With this, the artist does not liberate his figures from the margins of society to place them at its centre, but transports the viewer to ‘the edge’ where he or she is suddenly catapulted into the role of freak, to be feasted upon by myriads of eyes. Meijers literally gives the images 'body' by his use of materials, in particular fashioning faces that have escaped the margin and surface through the layers to loom suddenly before the viewer. His paintings are almost exorcisms that evoke images that we intuit, but cannot know.

A catalogue/artist’s book with an introduction by Dominic van den Boogerd accompanies the exhibition. The book is inspired by fanzines that emanate the same mood as Meijers’ idiosyncratic choice of themes and materials.

During the opening on Friday 19 January, Rik Meijers will perform with the band Chomain Vasser. This will be followed by a concert evening with Chomain Vasser in the context of the new events series Sound-Zone organized by Museum Het Domein, and which devoted to the connection between the fine arts and pop music, a key aspect of the 2007 exhibition programme.

The T-time (discussion session) for the Rik Meijers exhibition will be held on Sunday 25 February 2007 from 12.30 – 14.00.

Merry Christmas from FAD

Thursday, December 28th, 2006


… and Antony Gormley

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